![]() Adding those features to EditReady would only add complexity and cost for those not needing it. Many of those upcoming features however, are for the 20%. Per the Hedge philosophy, features should always cater to 80% of its user base. As we looked at our roadmap for the coming year, it became clear that many of the remaining feature requests are starting to create a bit of tension - while making a lot of sense, they are only useful to a subset of the EditReady customer base. ![]() Heaps of features and improvements were added that were useful to about anyone, plus all those RAW formats this year. Over the last decade, we’ve done a lot to make EditReady the go-to transcoder for video professionals. You seem to notice our renewed efforts, as we’ve seen an inpouring of feedback since 🙏 Through it all, we've made sure to keep the simple interface and blazing-fast speed you've come to expect from EditReady. Since the EditReady team joined Hedge just over a year ago, we’ve added lots of new RAW formats - RED, ARRI, CanonRAW, Sony X-OCN, and ProRes RAW.Īt the same time, we've added Color Awareness - our log color science engine that makes working with RAW just as easy as any other format. Some MXF files previously transcoded with EditReady wouldn't load properly in EditReadyįix for an issue that truncated the last frame of some MXF files (thanks, David!)Īs the year ends, we're excited to ship our fourth major update to EditReady. To learn more about EditReady 2 and other software from Divergent Media, check their site out.Recreate the source folder hierarchy on the destinationįaster transcoding when also scaling, on Apple Silicon (Thanks, Michael!)įix for a potential crash transcoding R3D footage on Intel Macs (Thanks, Dorian!)įix for playing back rewrapped HEVC files in FCPįixes a crash when opening new BRAW media with accelerometer metadata (Thanks, Akio!) ![]() If you just don’t want to wait for Adobe to add GH5 10bit support, EditReady 2 is a good option and for me will be my go to for transcoding any of those pesky camera formats. EditReady 2: final thoughtsĪll in all a very handy piece of software that is super easy to use. It has LUT support to preview Log media, or to check what you’ve shot and see how it would look with a specific treatment in post. Nice to actually be able to edit the footage from your fancy new camera…ĮditReady can also be used as a player. Useful if you’re handing off footage to other members of the team who will all need consistent reference points if they’re reviewing footage. This means you can use the overlay tool to burn-in timecode, reelnames, shoot dates and media names. You can import images with alpha channels to add bugs or watermarks or layout custom formatted text, including metadata values from the source media. Burn (in), babyĪnother new feature is the adding overlays to the media on top of your video. Write DNxHD/HR OPAtom or OP1a MXFs for Avid Media Composer. You should output QuickTime movies for Adobe Premiere Pro and Apple Final Cut Pro, FCPX, and iMovie.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |